lukehawkins

Luke Hawkins Hawkins itibaren Whitehall, PA, Birleşik Devletler itibaren Whitehall, PA, Birleşik Devletler

Okuyucu Luke Hawkins Hawkins itibaren Whitehall, PA, Birleşik Devletler

Luke Hawkins Hawkins itibaren Whitehall, PA, Birleşik Devletler

lukehawkins

God Loves, Man Kills is a rare, remarkable treasure from the Bronze Age of comics, a time seemingly unfettered by creative restraints and ubiquitous events. Claremont delivers a powerful story regardless of whatever metaphorical layers audiences and critics want to lay on it - it transcends them all, primarily because it is such a good X-Men story utilizing the characters so well. Part of the success of the story is Claremont's fairness to religion in general: Stryker does not represent all religions, "the religious view," or even "Christian fundamentalism" - he is just himself and his warped, odious perspective; Claremont uses Stryker to embody the hate and fear the X-Men have been combating since their beginning. The adult nature of the story can be a bit surprising, primarily the coarse language we are not used to hearing/reading from the X-Men, especially young Kitty Pryde, but it also fits with the purpose and message of this story set outside the main universe/time of the X-Men series. Xavier's struggle and surrender to Stryker's torture is particularly chilling, playing on Xavier's worst fear, that he is wrong and has only been hurting his X-Men all along. What it finally does, though, is exactly what Stryker does not want it to do: humanizes him and his mutants even more. Xavier's sorrow at the end, coupled with Scott's appropriately-harsh remonstrance is a great moment for both of them, in part because it shows how far the X-Men have come - Stan Lee's Cyclops would never have said that to his mentor. Magneto's role in the story is an impressive element - the story would have been full enough with just the X-Men fighting Stryker and the Purifiers, but adding a former foe as a temporary ally provides another resonance only Chris Claremont's stories provide. The final panels of the X-Men and Magneto summing up their positions are a great denouement to this story as well as decades of comics, especially since it foreshadows the discontent with Xavier's dream so many X-Men feel in the early '90s stories, but always the X-Men know the dream is worth fighting for, since they are all human. The masterstroke of the novel comes from Claremont having a regular police offer be the one to put down Stryker: regardless of belief system, physical appearance, nationality, mutation, or anything, everyone is a human being. Any idea that denigrates or rejects that essential starting point must be combated - by doing so, the human police officer supports Xavier and his dream completely. This is a powerful story that will stay with you far longer than the convoluted X2 adaptation will. Everyone should read this graphic novel.